DRIFT fhrt vor Augen, wie sich das Fantastische im Unscheinbaren verbirgt.

KAMMERJÄGER

FIRST NIGHT PERFORMANCE 1ST MARCH 2002 ESPACE MONCOR FREIBURG

The parlour hunter hunts the wild animals of the great indoors.

When the parlour hunter's away, the mice dance a jig and the kitchen cockroaches practise new practical jokes. The rats make soup, the moths spin castles from flour and the bookworms put their library in order.

deutscher text


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CHOREOGRAPHY: compagnie drift DANCE: BEATRICE JACCARD, PETER SCHELLING, MASSIMO BERTINELLI, BUDLANA BALDANOVA, SLAVA ZOUBKOV MUSIC/COMPOSITION: FRANÇOIS GENDRE MASSIMO BERTINELLI SET: PETER SCHELLING LIGHT DESIGN: FRANÇOIS GENDRE COSTUMES: DAPHNE INEICHEN MASK: SYLVIA TOMMASI

{, just as the maggots are tucking into their breakfast bacon, the hunter comes in and exterminates the lot of them.

In the cloud of gas dies the louse And in the mouse trap sits the mouse

The hunter smiles, cleans his gun and tidies his spray cans away.

As people sit in their cosy rooms going about their own affairs - reading, cooking, waiting, tidying, arguing - Death suddenly comes in through the door.

He startles everybody. The people try to snap their fingers at Death and want to trick him. But he chases all of them outdoors into the world.
The people hurtle through the universe sitting unprotected on the globe. They all wish they could go home.


Press reviews of 'Kammerjäger'

"...Hedonistic bugs.. In a room which is simply hinted at by the presence of partitions, four of the dancers crouch like pleasure-craving beetles, to avoid discovery by the sharp-eyed, jailor-like parlour hunter/pest controller. A sophisticated lament, staged with relish, to the hedonistic fullness of life, wacky, melancholy and off-beat."

Basler Zeitung, March 11, 2002


"...With the aid of curious characters, compagnie drift opens up a rare vista into abstruse picture worlds: four intimidated people in a small room cut up tomatoes as a team, read books in sync and freeze, wide-eyed, when the bald-headed one disturbs their idyll with his jerky movements. Or else, with their oversized ears, they squeeze themselves into tiny compartments and perform obscure tea rituals, while milky lighting makes them appear ethereal...The curious scenes had a mesmerising effect that kept even the most fidgety elements in the young audience spellbound..."

Berner Zeitung, March 19, 2002

"...Droll but sometimes nightmarish scenes... highly dramatic absurd dance theatre with original language of movement..."

Neue Zürcher Zeitung, March 22, 2002

 

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